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| Forward Anywhere ： ウィキペディア英語版 |
Forward Anywhere
''Forward Anywhere'' is a hypertext narrative created by writer Judy Malloy and scientist Cathy Marshall. They started working together in 1993 through the PAIR (PARC Artist In Residence) program at the Xerox Palo Alto Research Center.〔"Forward Anywhere." Eastgate: Serious Hypertext. Web. 26 Oct. 2009. .〕 Malloy and Marshall were one of the first and only pairings of two women in the program "created to bring together scientists and artists, with the hope of initiating a dialog between the two communities, and creating what PAIR program director Rich Gold described as 'new art' and 'new research.'"〔Malloy, Judy and Cathy Marshall. "Closure Was Never a Goal in this Piece." ''Wired Women Gender and New Realities in Cyberspace''. New York: Seal, 1996.〕 The pair wrote of their experience working together in the article, "Closure Was Never a Goal in this Piece", explicating their collaboration process and the connections found between each other.
==Origins==
''Forward Anywhere'' began as a compilation of emails sent back and forth between Judy Malloy and Cathy Marshall. When starting this project, the pair had to choose between creating a fictional or nonfictional project; they decided to use events from their own lives and allow the similarities come out from their writings naturally. Of these connections, Marshall stated, "What we did the blending of two real lives-seems more extraordinary. Rereading the mystery-filled unfolding of our oddly linked lives still sometimes sends chills down my spine."〔Werse, Cherny &. Wired Women Gender and New Realities in Cyberspace. New York: Seal, 1996.〕 The pair initially employed email as a collaboration system because it was unrealistic to meet face to face, but quickly realized the new media's ability to properly reveal the hypertextuality of conversations. Marshall realized that "email seems like a naturally hypertextual form with its splitting and merging threads of conversation, its subjects that recur and re-emerge, and its tendency to discourage linearity and closure."〔 Through the hypertext structure of this piece, both authors are able to reveal their own independent voice, rather than a combination of the two. Thus, the narrative shows similar events at the same time from different points of view.〔Bolter, Jay. Writing Space: Computers, Hypertext, and the Remediation of Print. Second ed. Mahwah: Taylor & Francis e-Library, 2009. Print.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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